Dumpster Pizza Party Podcast #2

My guests today are two of the editors of Red Wedge Magazine, Alex Billet and Adam Turl. Listen as we discuss the upcoming changes to Red Wedge Magazine as well as art, politics, Marxism, and the popular avant-garde. This show was recorded while getting a delicious brunch at Milque Toast Bar in St. Louis, MO. I’ll never be able to afford a house now after the delectable avocado toast I ate during the recording of this podcast

Read More

Red Wedge (Print) is Going Quarterly

There are big changes coming to Red Wedge’s publication and posting schedule. Starting with issue three (out in July) on “The Return of the Crowd," Red Wedge will be going quarterly. 

Since the founding of Red Wedge in 2012 there has been a mushrooming and further development of left-wing and explicitly socialist publishing. As readers may know, we have spent much of the past eighteen months discussing our way forward, and feel that our current moment, our current environment, demands that Red Wedge professionalize itself.

Read More

Tribe, Art, God, Change and Survival: an allegory, a primer, a to-do list

The question “what can a poem (actually) do?” has been a part of the philosophical debate about art for a long time. It is impossible to know when it was first asked, but I’m willing to bet that it had something to do with the onset of the Industrial Age, and the coming of age of Capitalism. That the lack of a definitive answer, or any recognizable material profit tied to its production hasn’t stopped people from either writing or reading it, is probably answer enough, but in the Fall of 1977, I moved from Trinidad and Tobago in the West Indies to Winnipeg, Manitoba – the MidWest of Canada. My step-father was working with the Canadian government and so, we were migrating. 

Read More

Welcome to the Last Days

To rise to and consolidate power 20th century fascism invoked crude race and national origin myths. This is part of what led Breton to pose the problem of counter-mythology, a different set of stories; stories that would animate resistance – that would bring the weight of the past crashing down on the enemies of socialism and the working-class. As Walter Benjamin wrote, the hatred and sacrifice needed for revolution is nourished “on the picture of enslaved forebears.” For Breton this was bound together with Surrealism and its intersections of chance and plan, individual and collective psychology, dream and consciousness, individual and collective action. As our contemporary far-right movements have gained ground they have brought back the “belligerent gods.” And among the neo-fascist “alt-right” there is a return of esoteric occult fascism in the “Cult of Kek” and its Pepe the Frog fascinations. So, just as before, we need our own animating counter-mythologies – our own stories for living and fighting in this world – for ridding it of the “myths of Odin."

Read More