Dre Harris is the bravest person I know. Facing the mirrored horrors of Nazis with metal poles and state-employed pigs who must have heard his screams, Dre survives. He tells his story. He tells his story knowing that a vicious beating is only the beginning of their attack and that rotting hearts beat in all in the institutions around him.
Mark is the bravest person I know. He is the first person to step out from the park as we march to defend the public housing complex from the fascists. Read More
In 1970, the famed “New Journalist” Tom Wolfe wrote an article, and later a book, lampooning a dinner party held by the progressive composer Leonard Bernstein for the Black Panther Party. Fresh off of decontextualizing the Merry Pranksters and Bay Area counterculture in Electric Kool Aid Acid Test, Wolfe, a cheeky, fresh-faced conservative, now was on a mission to show the silliness of what was not yet called “identity politics.” Poking fun at the very idea that a member of the BPP would enjoy hors-d’oeuvres; painting one dimensional figures of the Panthers and liberal intelligentsia in one swoop... Read More
In 1968, at the height of the Civil Rights Movement, Martin Luther King was assassinated. In the immediate aftermath, a wave of riots broke across America. Known as the Holy Week Uprising, this was a largely spontaneous outpouring of rage and sorrow. Far from the Movement collapsing, it marched forward with renewed fury and determination. To paraphrase Stokely Carmichael, what the crowds had started saying was “Black Power”, and they were to keep on saying it. In the midst of this ferment, black artists and activists searched for new answers to the questions that cut across the African-American experience. Read More
Red Wedge is delighted to share an excerpt from Matthew Flisfeder’s book Postmodern Theory and Blade Runner (2017). The book is part of the Bloomsbury series Film Theory in Practice, edited by Todd McGowan. This excerpt comes from the end of the second chapter.
With a sequel coming up later this year, the time to revalue Blade Runner as a profoundly historical film has come. The film was made during a critical transition point within the history of capitalism. Read More
George A. Romero is dead. And much as some of us would like it, the director of the most iconic zombie horror films of late capitalism will not be rising from the grave to walk among us. But the ravenous consumption that we see in his creations – of flesh, of our sanity, of our hope for the future – will continue. Unless it is brought to its knees then late capitalism has all but assured this.
The interview below with author and film studies professor Tony Williams – one of the very first articles to appear at Red Wedge – was conducted by editor Adam Turl and appeared on the site in October, 2012. Read More
I write formal poems because I'm a little weird in the brain, somewhere off the median on the neurodivergence spectrum. A formal poem is a place where I can express or test ideas or feelings or aesthetics without the profound exposure of a public article. Usually what happens when I write a sonnet is a phrase will occur to me that echoes in that meter and I will think about it. Sometimes that phrase is within the first line, and sometimes it is buried deep within the poem. Each of my poems has started with such a seed, uttered by a friend or within my own thoughts.
Somehow in poems or in any sort of art some parts of society find it acceptable to express feelings or beliefs that one cannot express elsewhere. And that is what I do in my poems. Read More
Red Wedge is now taking orders for our third issue "Return of the Crowd." Get a copy on wedge shop or subscribe. We are also strongly encouraging all supporters to become part of our patron program through Patreon.
As the above video details, we are hoping for issue three to be a big step forward for a publication that deserves to play a role in building the kind of imaginative and militant left we so sorely need. As with any radical project, it doesn't happen without support. Lend us some and we will do our best to return the favor in the form of a fantastic magazine and website. Read More
The intelligentsia has been re-traumatized by that dastardly Dylan. First, they had to put up with the very fact that a “rock singer” (or however we label him) is winning a prize that is supposed to be for literature. As Bill Crane put it last fall, “The middlebrow literary establishment in this country, as may have been predicted, has completely failed to understand the significance any of this.”
Crane makes an exquisite formal and substantive argument in defense of Bob Dylan as a poet, though takes a position typical of the Left regarding Dylan’s “turns” after his classic activist period. Read More
Musician and socialist Dave Randall’s Sound System: The Political Power of Music was released to positive reviews in May. Randall, a veteran musician who has worked with Faithless, Sinead O’Connor and Emiliana Torrini among others, examines in the book music’s many uses and abuses from the perspective of both a practitioner and a serious Marxist. Here, Red Wedge republishes an interview conducted with Randall by rs21’s Colin Revolting on the book, its inspiration, some of its highlights, and how a radical movement can subtly but actively approach popular music. Read More
My guests today are two of the editors of Red Wedge Magazine, Alex Billet and Adam Turl. Listen as we discuss the upcoming changes to Red Wedge Magazine as well as art, politics, Marxism, and the popular avant-garde. This show was recorded while getting a delicious brunch at Milque Toast Bar in St. Louis, MO. I’ll never be able to afford a house now after the delectable avocado toast I ate during the recording of this podcast Read More
Above is the new single “Tell Ya” by rapper, lyricist, and poet Saint Jame from his new E.P. Impressions. “Tell Ya” is produced by Mighty Mizu. You can check out more of Saint Jame's music on SoundCloud. Saint Jame's new E.P. Impressions is also available for streaming, downloading, and purchasing on Bandcamp. Be sure to check out Saint Jame's artist statement below. – The Editors Read More
There are big changes coming to Red Wedge’s publication and posting schedule. Starting with issue three (out in July) on “The Return of the Crowd," Red Wedge will be going quarterly.
Since the founding of Red Wedge in 2012 there has been a mushrooming and further development of left-wing and explicitly socialist publishing. As readers may know, we have spent much of the past eighteen months discussing our way forward, and feel that our current moment, our current environment, demands that Red Wedge professionalize itself. Read More
Masterful cinema usually leaves little to accident. With the film world completely oversaturated by works that are intellectually lazy and yet somehow overwrought with production costs, this is easy to forget. Many would say that the age of the auteur is behind us. It’s overly glib, but also understandable.
Throw in a film that cuts against this, where everything is well-placed and intentionally so, and a film-going public hungry for something that hits the sweet-spot between smart and emotionally satisfying will not be able to stop talking about it. Enter, like an unexpected guest who has been hiding in your basement, Get Out. Read More
Shirin Rastin is an Iranian-born artist based in Orange County, California. She is exhibiting her latest series, Forced Entry, at the Dollar Art House in St. Louis, Missouri. The exhibition opens on Friday, March 24. The Dollar Art House interviewed her about her work before the exhibition opening.
Dollar Art House: In this series you combine commercial puzzles with puzzles you’ve made using images from the news media. In particular these include puzzles that show an idyllic “western” or “American” life (the former) and puzzles that depict the ongoing refugee crisis (the latter). Can you tell us something about how you arrived at this concept? Read More
Imagine, if you will, aliens, grey ones, with those big eyes, travelling through the universe and finding a capsule in the sky, representing the people from the planet Earth, a peaceful place (or so it looks from space). On the capsule, the aliens find a recording – it is “Johnny B. Goode”, the 1958 ur-narrative of rock music, Horatio Alger as channeled through the experience of Southern working class youth. “He never learned to read or write so well,” sings Chuck Berry, who died on Saturday at 90 years old, “but he could play his guitar just like-a-ringin’ a bell”. A sort of rock folk-tale, young Johnny can’t do much except play guitar. Read More
Madeline loves it Read More
And sits as Mother would.
The priest like her Father
Dressed all in grey,
Palms fluttering with
Life was smithereens of decisions and constant problems and challenges. And so were her stories. She stuck the smithereens of stories together with home-made glue, with the cracks between them still visible and the glue all pungent, and made a novel.
Someone else kept a diary the old fashioned way, with smithereens of thoughts jotted into a notebook he kept tucked under his pillow. And Eduardo Galeano wrote history as a series of little stories in Memories of Fire, and in Children of the Days he wrote one vignette for each day of the year. Read More
Stephanie Dinges is a working-class socialist, artist and activist running as a Green Party candidate for alderperson in the 13th ward of St. Louis. Dinges is running against a largely absentee pro-corporate law-and-order Democrat. On March 7th the aldermanic and mayoral primary was held in St. Louis. The general election takes place on April 4th. Red Wedge’s Adam Turl interviewed Stephanie about her campaign in late February. Read More
In 1871, Parisian workers famously brought down the Vendome Column in the city’s first arondissement. It was an iconic event – in more way than one – for the Paris Commune. The Column, erected sixty years previously in commemoration of Napoleon’s victory at the Battle of Austerlitz, was torn down at the initial suggestion of the legendary artist Gustave Courbet. Courbet called the Column “a monument devoid of all artistic value, tending to perpetuate by its expression the ideas of war and conquest of the past imperial dynasty, which are reproved by a republican nation's sentiment.” Read More
Colonial domination, because it is total and tends to over-simplify, very soon manages to disrupt in spectacular fashion the cultural life of a conquered people. This cultural obliteration is made possible by the negation of national reality, by new legal relations introduced by the occupying power, by the banishment of the natives and their customs to outlying districts by colonial society, by expropriation, and by the systematic enslaving of men and women.
Three years ago at our first congress I showed that, in the colonial situation, dynamism is replaced fairly quickly by a substantification of the attitudes of the colonizing power. The area of culture is then marked off by fences and signposts. These are in fact so many defense mechanisms of the most elementary type, comparable for more than one good reason to the simple instinct for preservation. Read More