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The Return of the Crowd

August 29, 2017 The Editors
The art of Howard Barry, some of which features in Red Wedge issue three.

The art of Howard Barry, some of which features in Red Wedge issue three.

How in the hell does Jeremy Corbyn become such a sensation at Glastonbury? A sixty-eight-year-old politician propped in front of a crowd of young people gathered to take in Run the Jewels does not on the surface sound at all like the raw material of cultural memory. And yet, when he spoke, the crowd chanted his name (to the tune of the White Stripes no less). They cheered and applauded and shouted themselves hoarse.

There is, ultimately, no reason they shouldn’t have. The leader of the Labour Party who led it to its best showing in twenty years did so by saying that this crowd of young people matters.

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In Editorial, August 2017 Tags populism, popular avant-garde, art, music, experimental, poetry, publications, neoliberalism, radical history

The Bravest Person I Know

August 14, 2017 Trish Kahle

Dre Harris is the bravest person I know. Facing the mirrored horrors of Nazis with metal poles and state-employed pigs who must have heard his screams, Dre survives. He tells his story. He tells his story knowing that a vicious beating is only the beginning of their attack and that rotting hearts beat in all in the institutions around him.

Mark is the bravest person I know. He is the first person to step out from the park as we march to defend the public housing complex from the fascists.

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In Prose, August 2017 Tags fascism, anti-fascism, racism, antiracism, protest

I Know Who Else Was Transgressive: Teen Vogue has better politics than Angela Nagle

August 2, 2017 Jordy Cummings
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In 1970, the famed “New Journalist” Tom Wolfe wrote an article, and later a book, lampooning a dinner party held by the progressive composer Leonard Bernstein for the Black Panther Party. Fresh off of decontextualizing the Merry Pranksters and Bay Area counterculture in Electric Kool Aid Acid Test, Wolfe, a cheeky, fresh-faced conservative, now was on a mission to show the silliness of what was not yet called “identity politics.” Poking fun at the very idea that a member of the BPP would enjoy hors-d’oeuvres; painting one dimensional figures of the Panthers and liberal intelligentsia in one swoop...

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In Reviews, August 2017 Tags alt-right, racism, queer liberation, lgbtqi, online culture, books, identity politics, politics of identity, kill all normies, class, radical history

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