When Anselm Jappe wrote Guy Debord in 1993, it was widely hailed as the first serious intellectual biography of the principal figure of the Situationist International (SI). Six years later, when the University of California Press published an English translation, Stewart Home1 declared it “both the most boring and by far and away the most stupid book to be written about a situationist to date.” On the other hand, Ken Knabb2 praises Jappe’s effort as “the only book on Debord in either French or English that can be unreservedly recommended.”Read More
Marxist cultural criticism, by its nature, walks the tight rope between the Scylla of purely instrumental and didactic analysis and the Charybdis of descriptivism and romanticism. Yet there are times in which Marxist cultural critics must make directly political interventions, emphasizing that indeed we are, in Ash Sarkar’s inimitable phrase, literally communists. This was what gave rise, for example, to Red Wedge statements in support of many of the struggles of the last few years.Read More
These compositions are the latest in a growing body of work exploring connections between humans and nature in contemporary society. I work part time in the shipping department of a small company, and witness a surprisingly large amount of paper waste. As an artist, and avid environmentalist, I couldn’t bring myself to throw away the paper left behind from generating shipping labels. This paper contains a waxy coating, allowing the sticky label to be removed easily while preventing easy recycling. These mixed media works consist of photographs printed on those label backings.Read More
imagine the sweetness
of reciprocity, begs
My paintings are figments of fantastical imaginary worlds situated within realms, which allude to our own existence. The imagery I use comprises unravelling narratives, which display splayed visions and altered expressions of the world around us. Themes stemming from theological backgrounds have direct imagery taken from the Book of Genesis and the Book of Revelations.
I attempt to create a new space and time within the painting, asking the audience to question what they see and from where they are seeing it.Read More