Quantité Negligeable

The playwright Bertolt Brecht, in his polemics with the theorist George Lukács argued: "Even those writers who are conscious of the fact that capitalism impoverishes, dehumanizes, mechanizes human beings, and who fight against it, seem to be part of the same process of impoverishment: for they too, in their writing, appear to be less concerned with elevating man, they rush him through events, treat his inner life as quantité negligeable..."

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The Realms of the Unreal

The model of “self-taught genius” ignores the social genius of Darger’s Child Slave Rebellion. After all, Darger’s work was shaped by the very real instructors of his life; his kind father, his brutal treatment as a ward of the state of Illinois, the “dead-end” proletarian job that awaited him in adulthood. It is no accident that Darger’s epic illuminated manuscript is, at its core, about a rebellion of child-slaves. Nor are his transgender heroes necessarily a mere accident of individual genius or naïveté. Maybe they are glimpses of the future emancipation that could not yet be articulated.

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Wriggling Off the Precipice

The experimental hip-hop group clipping. have a new E.P. out. It’s called Wriggle. The group’s M.C. Daveed Diggs has recently become nothing short of a Broadway celebrity lately since winning a Tony for his role in Hamilton. The man is a phenom, an insane talent on the microphone. There’s no question about this. Diggs’ more usual fare with clipping. is, however, of a somewhat different fare. As I’ve put it previously, he’s far more Marquis de Sade than Lafayette, and clipping. fit right in with the insurgence of “industrial hip-hop” we’ve seen over the past few years that also includes the likes of Death Grips. Here’s the title track and lead single from the new E.P.

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