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Slaves of Futures Past

October 4, 2016 Alexander Billet
Manuel Gagneux of Zeal and Ardor.

Manuel Gagneux of Zeal and Ardor.

The artist behind Zeal and Ardor isn’t American. He’s Swiss, albeit of African heritage. Manuel Gagneux was prompted to begin the project by a 4Chan post. In an interview with Noisey’s Kim Kelly, he claims that he used the message boards as a starting point for his own musical experiments:

I used to make these threads where I would ask for musical genres, one would post “swing,” and the other would post “hardcore gabber techno” and I’d fuse the two and make a song out of it in 30 minutes. One day someone said “n*gger music,” and the other said “black metal.” I didn’t make the song then, but it stuck with me, and I thought it was an interesting idea.

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In Commentary, October 2016 Tags metal, black metal, hip-hop, black lives matter, new music, new albums, history, slavery

Black Art Matters: A Roundtable On the Black Radical Imagination

July 26, 2016 Walidah Imarisha, Robin D.G. Kelly and Jonathan Horstmann interviewed by Red Wedge
The art of Emory Douglas, remixed for Black Lives Matter

The art of Emory Douglas, remixed for Black Lives Matter

Can America ever truly face its racism – both past and present – for what it truly is? Or is the history of forced migration, bondage and slave labor, legal apartheid, incarceration and horrific state violence too much for it to survive such a revelation? Can it endure the psychic shock and endeavor in some kind of pursuit of truth or reconciliation? Or will it simply implode, come apart at the seams and make way for something new? Something which, hopefully, would not have genocide running through its veins? Langston Hughes tells of a man urging us to “let America be America again,” but Hughes is not so sure such an America ever existed. Neither should anyone today.

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In Interviews, July 2016 Tags black lives matter, black liberation, racism, art, literature, music, poetry

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