Partially Automated Dystopias + Utopias (Call for Submissions)

Every new technology seems to promise both liberation from drudgery and new forms of economic and social control. The contradictions between dead labor (accumulated productive capital) and living labor (workers), between the forces and relations of production, have always been at the center of Marxism. The way these contradictions play out in the cultural realm is contingent and evolving. Karel Capek’s 1920 play, R.U.R. (Rossum’s Universal Robots), was translated into dozens of languages, popularizing both the idea of the robot – and the idea of robot rebellion. Working-class audiences, at the time, tended to identify with Capek’s robots – who were not exactly mechanical automatons, but rather artificial persons of a sort. Within a few decades, however, the mechanical automaton “robot” replaced Capek’s artificial humans in popular consciousness. The mechanical robot was increasingly viewed as a threat; perhaps in response to the growth of unemployment by automation, the mechanical slaughters of the imperialist and world wars, and the alienation of post-war corporatism.

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Red Wedge at Historical Materialism London

Red Wedge will be presenting two panels at this year's Historical Materialism London conference. This year's conference takes place at the confluence of three auspicious anniversaries: the 20th anniversary of the HM journal, the 150h anniversary of the publication of Marx's Capital, and the 100th anniversary of the Russian Revolution.

It is no surprise to anyone familiar with Red Wedge that we share HM's commitment to Marxism's reinvention and rediscovery. Which is why we are glad to be contributing these panels, dedicated to a creative and critical assessment of the Marxist aesthetic experience. 

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